I had high expectations for Resistance: Retribution (RR) given that it was Bend Studio’s follow up title to Syphon Filter: Logan’s Shadow (SF:LS). Syphon Filter blew my socks off in showing me what a shooter could be like on the PSP. I thought even having the same game with a new skin would have been a great experience. What I got was a similar quality game, but targeting a different audience that is much more into action/run and gun than they are into stealth tactics.
I’m going to compare Syphon Filter against Resistance in the following areas:
- Shooting Mechanic
- Story Telling
- Achievements
- Presentation
1. Shooting Mechanics
At first I hated the auto-targeting system that RR had because they took away the most impressive element of SF:LS – the ability to target precisely. At first I mentally fought with this and hated it until I realized it services a different kind of gameplay. In SF:LS I would creep around and because the mixture of the control system, world design and animation design allowed it, I would target precisely where people would poke their heads out and BOOM, headshot. Using the PSP controls (challenging at best) and being able to support precise shooting was incredible.
Cover Sharp Shooting (SF:LS)
The key ingredients to this shooting experience are:
- Stealth approach to combat (they might not know you are there)
- You and your enemies spend majority of time in cover, timing when to shoot
- You aim from cover
- Head’s are always at fixed crouching or standing height
- Significant reward for a head shot, great animation feedback on it
- Any weapon can be fatal, focus is on player movement and aim
Hose them down (RR)
The body count in RR is probably 5 times higher per minute of play than Syphon Filter (if not more).
- Easy cover
- Auto aim
- Allow called shots for special enemies that need their heads removed
- Strategy based on weapon selection and fire mode selection
At the end of the day, I prefer to have my tactics be movement or aiming based so I much preferred SF:LS for these mechanics. However, knowing why the design was changed, it did match the play experience.
2. Story Telling
Both games use a mix of videos and in game cinemas to tell their stories. I’m using my memory to recall the amounts of the story but I think the mix was something like this for each game:
SF:LS Story breakdown
Story Telling 20%
- Pre-rendered cinemas 10% (explicit story telling, briefings)
- In game cinemas 10% (mission context)
Gameplay 80%
RR Story breakdown
Story Telling 40%
- Pre-rendered cinemas 10% (Introduction, per act cinemas)
- Concept Art naration cinemas 20% (Mostly maps and narrated story telling)
- In game cinemas 10% (in mission cinemas, small stories)
Gameplay 60%
I enjoyed both stories but I found RR had WAY to much attitude and forced naration through the story. They did a great job of telling the story and describing the motivation. The voice acting in the concept artwork told story was excellent as was the writing. I really didn’t like the main character until about the last quarter of the game. Logan’s shadow had more of a simple and cliche’d story, but the ensemble cast made me care more about the crew and let me focus more on the game itself.
3. Achievements
Both games have hidden documents and various achievments throughout the level. The key difference between the two games for me is that I have NO IDEA what the achievements in RR are whereas the achievements in SF:LS were very clear to me. To be fair I gave SF:LS more replays, but througout that play experience I was getting feedback on achievements. Replays were very clear and very fun to attempt. The focus was on using weapons and the environment properly and collecting hidden documents. The presentation in SF:LS increased the play experience. I didn’t find any game enhancing elements in RR.
4. Presentation
Both games really show off what the PSP can do. I think that RR probably takes the edge in technical difficulty and variety (mech levels) and also dealing with red/browns on PSP is very hard to make it look good with the low responce time on the LCD. SF:LS had more natural environments and more blues and whites. For my own taste LS:SF was again the better game.
Conclusion
Obviously I liked SF:LS much more, but both games are good. I find it fascinating that the same studio made a similar if not the same quality game but that choosing a more action based focus made the game less interesting to me. From what I can tell, this is an example of where choosing your audience really does dictate design changes. I hope that RR is more successful than SF:LS because I don’t think the previous games got the sales they deserved.
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Filmspiration and the three reasons to make a game
Film was a love of mine before games were. My first theatrical memory is sitting at the drive-in watching Luke Skywalker battle a Rancor. That kind of thing leaves a lasting impression on a young child’s mind! The magic of Star Wars back then was that I think many adults felt like I did…the wonderment of a child all over again. It was many years before another movie hit that mark again.
That movie was The Matrix and it brought philosophy and technology to the mainstream (not necessarily in that order). Although hailed for its action cinematography and bullet time, nearly every action film device they used was pioneered in Blade before the Matrix’s release. Blade did not capture the mainstream and therefore was lost in cinematic history. It isn’t who does it first, it is who does it in front of enough people to count. But what do these two movies have to do with making games?
Since these are the kinds of stories that got me inspired I was trying to think of what the equivalent in the gaming world it was and it occurred to me that there were largely three “reasons” or “types” of games to make.
My initial gaming inspirations would probably be titles like: Wing Commander, X-Wing/Tie-Fighter, Space Quest, Kings Quest, Wolf 3D, Doom, Duke 3D, Dune 2, Warcraft 2, etc. Some of these genres have basically died (space and point/click adventure) and others are at the top of their game (first person shooters) and yet others dominate new markets (World of Warcraft). What is the secret to why these games are great? Tonight I was having a few ideas I would like to share to categorize: Fantasy enablers, Brain Teasers and New Experiences.
Perhaps Rock band/guitar hero are examples of all three in unison. Fantasy of being a rock star combined with a puzzle/coordination packaged in a new control experience. Sounds like a formula for success!
Do you have films or games that have inspired you? I would love to hear your thoughts on them and why they captured your attention.